The makers of Minari, Sound Of Metal, Promising Young Woman, Soul and Mank all took home big prizes on Hollywood's biggest night.
Nomadland has swept the Oscars with wins for its director Chloe Zhao and its lead Frances McDormand as well as best film - with British stars Daniel Kaluuya and Emerald Fennell also among the winners.
Zhao, who was born in China, is the first woman from an ethnically diverse background to win the Academy Award for directing, and the second woman in history, after Kathryn Bigelow's triumph 11 years ago for The Hurt Locker.
"So this is for anyone who had the faith and the courage to hold on to the
Nomadland continued its dominant run, with Frances McDormand picking up the award for best actress, who told the crowd the night needed a karaoke bar. goodness in themselves, and to hold on to the goodness in each other, no matter how difficult it is to do that."
Sir Anthony Hopkins, who was absent from the ceremony, won the award for best actor for his performance in The Father, with the film also winning best adapted screenplay.Sir Anthony's win came as somewhat of a shock, with Chadwick Boseman widely tipped to win posthumously for his role in Ma Rainey's Black Bottom - one of his final films before his death.
In a video on Instagram after the ceremony, Sir Anthony said that he "did not expect to get this award".
He added: "I'm very grateful to the Academy and thank you, and I want to pay tribute to Chadwick Boseman, who was taken from us far too early.
"And again, thank you all very much... I feel very privileged and honoured."
Elsewhere, Daniel Kaluuya was named best supporting actor for his role as Black Panther leader Fred Hampton in Judas And The Black Messiah, while Emerald Fennell walked off with best original screenplay for her debut movie and Sky Original, Promising Young Woman.
Judas And The Black Messiah also won best original song, giving the film two wins in LA.
Taking to the stage, Kaluuya, who is the first black British winner of the supporting actor award, said he admired Fred Hampton, who was shot and killed by police in Chicago in 1969, adding: "When they played divide and conquer, we say unite and ascend.
"There's so much work to do guys and that's on everyone in this room.
"This ain't no single man job. We've got work to do.
"I'm going to get back to work Tuesday morning, because tonight I'm going out."
Sound Of Metal, starring Briton Riz Ahmed as a punk drummer who loses his hearing, also took home two awards - for sound design and editing.
Also scoring two trophies apiece was Ma Rainey's Black Bottom, for make up and costume design, Mank, for cinematography and production design and Soul, which won best animation and best score.
Best supporting actress went to 73-year-old Youn Yuh-jung, who played Soon-ja in Minari - a film about a Korean family trying to make it as farmers in 1980s America.
She paid tribute to the other women in her category, declaring she "doesn't believe in competition" and questioned how she won over fellow nominee Glenn Close.
Close, who has been nominated for eight Oscars in her career but has never won, did give the 170-strong crowd a lighter moment though, as she twerked to the track Da Butt during a segment hosted by musical guest Questlove.
Glenn Close, everyone! #Oscars pic.twitter.com/akwOxvRS6s
— The Academy (@TheAcademy) April 26, 2021
Prizes this year were mainly dished out from Los Angeles' Union Station rather than its normal home of the Dolby Theatre.
Producers had given much hype to the show, with them saying they wanted it to resemble a film amid slumps in award ceremony audiences across the US.
Those who were unable to travel to LA due to Covid-19 restrictions were able to attend at one of the international hubs, which included the BFI on London's Southbank.
Guests were not required to wear face coverings while on camera at the ceremony, but were asked to use them when they weren't on screen.
Unusually, most of the films nominated have not had cinema releases and have instead been placed onto streaming services such as Sky, Netflix and Amazon, in what has been a bumpy year for the film industry.
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