https://www.myjoyonline.com/harmonies-of-the-past-vibrations-of-the-present-the-magical-kalabashi-concert/-------https://www.myjoyonline.com/harmonies-of-the-past-vibrations-of-the-present-the-magical-kalabashi-concert/

It was my third consecutive weekend at the theatre, experiencing bliss and industry with some of Ghana’s best creatives. First, it was Latif Abubukar’s “Life is a dream”. A Ghanaian Adaptation of a Spanish Play, which has been staged all across Europe.

This was the first time it found expression on African Soil. Latif as always lived up to expectations. Then my good friends George Quaye and Naa Ashorkor re-staged an adaptation of an original British play “A Detective Calls”.

The casting was great and I was particularly impressed with Elvis Crytal who was Fiifi Coleman’s understudy and from what we hear, took the script on short notice. It was his debut as well, good job man!

I was hoping to see Legendary Fred Amugi and Akorfa Edjeani, however, the ever-talented Roland Adom and Jackie Ankrah did their thing! Both plays were didactic and sold very well.

The third weekend was an invitation by the legendary Composer George Mensah Essilfie, who took me on a journey to Akotam, to discover Ghana’s musical treasure.

Songs of Akotam is Ghana's first musical, based on choral arrangements of Ghanaian folklore, featuring the sensational and award-winning Harmonious Chorale. This groundbreaking concert, brought to life by the visionary George Mensah Essilfie, did not only mesmerize the audience but also gave another compelling reason for increased investment in the arts in Ghana.

This review article aims to explore the enchanting production, highlighting its cultural significance and the benefits of supporting the arts sector in Ghana.

Capturing the Essence of Ghanaian Folklore:

The musical production takes audiences on a captivating journey by the people of Akotam to rescue the princess of this fictional town, captured by a beast. The handsome young man who boldly led the rescue mission discovered music as the magical weapon that will bring this monstrous beast to his knees.

The production takes audiences through the rich tapestry of Ghanaian folklore. Through meticulous choral arrangements and masterful orchestration, the ensemble skillfully weaves together traditional melodies, rhythms, and storytelling elements, breathing new life into age-old narratives.

The incorporation of indigenous instruments and rhythmic patterns further enhances the authenticity and cultural immersion of the performance.

By preserving and celebrating Ghana's folklore through music, George Mensah Elsifie and the Harmonious Chorale showcased the nation's artistic heritage, instilling a sense of pride and cultural identity in both performers and audiences alike.

Excellence in Musical Artistry and Stage Craft:

Harmonious Chorale, renowned for its exceptional vocal abilities, has garnered numerous accolades both nationally and internationally.

Their performance in this musical production demonstrates unparalleled talent, precision, and harmonization. Led by the maestro James Varick Kofi Armaah, the choir brought the folklore narratives to life, evoking a wide range of emotions from the audience.

The integration of choreography, stage design, and lighting further elevates the overall aesthetic appeal and professionalism of the production, making it an unforgettable experience for all.

But what is hard to believe is that, for most of these choristers, it was their first shot at acting. Yes, it was! Drop your eyebrow, I know it’s hard to believe, but that is the power of determination and good leadership.

I may have to tell Uncle Ebo, George, Latif, and Naa not to hold auditions anymore. They can simply tap into the Harmonious Chorale for rich 360 talents.

Samuel Okpoti (The Beast) was fantastic; bringing fear and humour in good measure to his role, Michael Ewusi with his charming tenor and looks easily radiated the energy to drive the narrative. As for Mitchelle Ajeigbe (the Princess), it was simply a delight to watch her glow in love and tremble in fear, navigating the various scenes with such grace.

My dear Amanda Abrokwa was quintessentially Fantse and brought a spark to the community scenes. The audience couldn’t help but respond to the good dose of colloquialism she injected into the production. Allotey, Mavis and the three tenors; Moses Torto ( AKA Ahoɔden Mensah), Michael Martey (Ntim Nyansa), and Emmanuel Akowa (Sika Kofi) were pleasant surprises not for their soothing voices but for the dexterity of craft.

Edward Opare is simply a powerhouse! As for Victor Wesseh the gong-gong beater, he was a threat to our ribs, effortlessly lighting up the stage with humour.

“So right now, HC ankasa, ebi choir or Broadway, cos eii…”

For someone who has acted in music theatre and international plays staged in Ghana, including Fiddler on the Roof, Gospel, Once Upon A Time, and Into the Woods (in which I played the lead role) take it from me when I say this was a super performance!

Critique

The play should have made use of the curtains (that’s if it’s working) to help change scenes. The lighting and sound could have been better. But I hesitate to stress because of the apparent logistical challenge that the National Theatre itself faces.

The MC for the programme the multitalented Kokui Selomey started off with one in jest. But I think it should have been considered.

A role for the “Mother Of Choral Music in Ghana” Rev Dr Joyce Aryee. In the words of the late Ken Kafui, “She has done a lot for chorale music in Ghana” and I think the stakeholders must seize every opportunity to honour her.

Cultural Preservation and Revitalization:

The musical, not only celebrates Ghanaian folklore but also plays a crucial role in preserving and revitalizing cultural traditions that are at risk of being forgotten or diluted.

By bringing these stories to the forefront and presenting them in a contemporary context, the production fosters cultural appreciation and understanding among both Ghanaian and international audiences.

It serves as a powerful medium for intergenerational knowledge transfer, ensuring that younger generations remain connected to their roots and older traditions are perpetuated.

Socio-Economic Impact and the Case for Investment:

Investment in the arts holds immense potential for socio-economic development in Ghana. Firstly, the production serves as a catalyst for tourism, attracting local and international visitors interested in experiencing the unique blend of music, dance, and folklore.

Imagine a week or weekend of theatre as part of our national celebrations that line up such productions and Chief Moomen’s Mansa World, with good promotion, Goodness!

The success of the Kalabashi Concert stands as a testament to the untapped potential and talent that can be unleashed through increased investment in the arts.

Conclusion

After the curtain raiser and opening acts by the African Youth Choir, Windy Voices, Dynamic Choir and the Symphonials I whispered to my friend Benjamin Offei “It's gonna be a night”! And it sure was!

Kudos to George Mensah Esilfie (Phd) for such a huge come-back to a space he contributed in establishing.

It is my hope that the songs of Akotam will get the traction it deserves and tour the world!

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DISCLAIMER: The Views, Comments, Opinions, Contributions and Statements made by Readers and Contributors on this platform do not necessarily represent the views or policy of Multimedia Group Limited.