Song: No Competition
Artistes: Okyeame Kwame ft. Kuami Eugene
Producer: Kuami Eugene and MOGBeatz
Author of Review: Kwame Dadzie
Okyeame Kwame's rap dexterity seems not to be ebbing away in the wake of the stiff competition posed by newer and more vibrant rap artistes in Ghana.
His delivery on his latest song with Kuami Eugene, 'No Competition' is testament to his proclivity to excellence when it comes to lyricism.
Intro: The song starts with a cappella of Kuami Eugene singing: "I came to them sometime they say they don’t know me; Now everybody dey sing my melody; See me, I no get compete; Come and see money follow me."
Then both Okyeame Kwame and Kuami Eugene enter with their signatures: "Rap Dacta, Rockstar made it, Ladies and Gentlemen."
The second phase of the intro comes with a prominent melody of a popular song 'Ghanafo mmaayewa', performed by a flute. This flute melody ends the song, as well.
Production: Kuami Eugene is gradually ensconcing himself in the world of production and his work on 'No Competition' proves he is maturing in the field. The production quality and groove make the song one that will make it to the playlists of music lovers and consumers. Complementing his creativity on the song, is music producer MOGBeatz.
The musical piece is done in 6/8 rhythm, in a typical kete/adowa fashion - a rhythm that is common in most African societies. It is rendered in Key C Major.
The bed created by the guitars and keyboards evince a soothing highlife vibe. The d-f-s-d progression and the highlife guitar strums makes the song relatable.
Message: Both Kuami and Okyeame in this song, accentuate the hustle they have been through to get to the top. The claim they have no competition because of their uniqueness and resilience. In fact, Eugene indicates how difficult it was for him to be accepted into the industry. But after winning the hearts of music lovers, they sing his songs.
The intro of the song which happens to be chorus (the heart of the musical piece) sums up the crux of the message. To wit, their success today which makes them incomparable, didn’t not come by fluke.
Kuami Eugene’s verse: Kuami Eugene is at his vocal best on the song, as he gets more rhythmic and poetic with his delivery. He mixes Twi, Pidgin English and Ga to communicate the quest by people to bring him down, the strides he has made and the God factor to his success and protection against the wiles of his enemies.
Wait, jealousy go shame menua no long talk
I'm the baddest in the game man always on top
They want make I fall make my teeth comot
But Oluwa dey my side I'm a lion
Otao Ogbemi aloo
Otao, otao ogbemi aloo
We dey scatter the place from Accra to Ojueleba oo
No ewor tswaa me beat Ebo
Nyɔŋmɔ haaa ni em) ni ewo
See how I’m chilling, girls are billing poverty dierr no no no
Okyeame Kwame's rap: Okyeame Kwame does a mixture of conventional spoken rap and melodic rap in the song; there are portions he places melodies on his words. The variety makes the song more refreshing.
The verse is also laden with puns, double entendres, symbolism, similes, metaphors, among other literary devices.
While using imagery in his composition, Okyeame paints a picture of being distracted while having an intercourse (not with a woman but with music). He therefore expresses how well he loves rap than sex.
Oooooh hwan ni a?
Magyegye adamu wo dan mu a
Me nsa ator bi so sei mua
Me nnyae mme tie mo wor Ghana
Ok ! Mo afre me a, maba
Hwan ne ho amaga
Mo per baabi akor a, apata?
Meper rap na gyae atopa
Me ridi rap se ponko
Me denden a, me kyen pompo
Kwame’s 'Made in Ghana' agenda is carried on to this new project. His love for Ghana is not just evident in the rhythm for this song, but his quest to keep drumming home pushing what is Ghanaian. Kwame in his delivery projects Ghana ahead of what is foreign.
His Sean Jean example is symbolism for the agenda. He uses fashion to highlight this virtue, most importantly mentioning how he visits Hong Kong while clad in the Ghanaian kente cloth.
Kanee no na me hyer Sean Jean
Nso Ghana nti ma shun ‘John’
Hyer kente nenam Hong Kong
Legacy for the kids unborn
Although Kwame tells his story in the first person narrative voice, he does a switch from the 15th to the 16th line of the verse, to a second person voice.
26 years nie onnae da
Na O2 (otu) nenan, London
These lines mean Okyeame Kwame has not slept for the past 26 years he has been in the music industry, and that his hard work has taken him to London. He plays on words here. ‘Otu’, the Twi expression which means “he steps” rhymes with O2, the performance centre in London where Akyeame once performed at.
There are more punchlines from the 20th to 24th lines:
I am already pregnant with the flow nti no me nfa wo Lydia
Ma gye nsem se Libya
Me acti a media
Nim se me Forsi Lydia
Connected, Nvidia
The Rap Dacta in line 20, says that nothing can prevent the growth of his creativity and excellence in music. Lydia in line 20, represents Lydia contraceptive. Then compares his extraordinary performance to one of Ghana’s iconic actresses, Lydia Forson. He mentions that when he acts, the media knows he can be likened to Lydia Forson. Nvidia, is a technology company that offers networking solutions; the mention of the name highlights how connected Okyeame Kwame is, to the people that matter in the music ecosystem.
Although Okyeame talks about payday in line 26, he also refers to Paedae of the R2Bees music group. This meaning crystalises better in the next line ‘refuse to be broke’ the full form of R2Bees.
Yenyinaa ye twen payday (Paedae)
Refuse to be broke all day
Conclusion: After touting all his achievements and qualities, he asks that people should jubilate and salute him. He also re-echoes his brand, OK – which is the short of Okyeame Kwame. The last line of the verse proves this: while doing word play with AY Poyoo, he says even if “ay” is taken from the word ‘okay’, he will still be OK (as in Okyeame Kwame).
Oye oye , bo ose bo se,
Mo ntwa me prusei prusei
Wo yi AY no de ma poyoo koraa still me ye OK.
This might not be Okyeame Kwame best rap verse since he started music about 26 years ago, but a lot of people who thought the emergence of new and more ‘dangerous’ rappers might have dislodged him from the rap scene, are beginning to fall in love with Kwame’s rap potential all over again.
Listen to ‘No Competition’ by Okyeame Kwame ft. Kuami Eugene below:
Latest Stories
-
Afcon exit: Our issue is administrative failure and mismanagement, not lack of talent – Saddick Adams
3 mins -
WAPCo to commence major pipeline maintenance and inspection from November 25
9 mins -
Power crisis: Amandi is off due to maintenance, not debt – ECG Boss
37 mins -
Votes cast for late Akua Donkor to be declared invalid – Electoral Commission
51 mins -
You can’t keep “incompetent” Otto Addo for the long term – Countryman Songo
1 hour -
Joy FM holds 2024 Prayer Summit for Peace
1 hour -
Lady sues Police and AG over assault in custody
2 hours -
Ghana’s railway sector has been revived under my leadership – Akufo-Addo
3 hours -
Next government must enforce C190 – Women Economic Dialogue Forum
3 hours -
NCCE engages party youth activists at Nandom on peaceful election
3 hours -
SSNIT engages stakeholders on its operations
3 hours -
Defilement: 19-year-old farmer jailed ten years, with hard labour
3 hours -
Bawumia to inaugurate new headquarters of Lands Commission on November 25
3 hours -
Sylvester Tetteh denies demolishing GBC staff bungalow
3 hours -
Signing of peace pact by presidential candidates slated for November 28
3 hours